Leeds

Making a Show of Myself (Again) by Maria Spadafora

POW! (Princesses of the World). Featuring Sasha, Evie, Mehmoona, Iram, Saliha, Zakia and Laura

POW! (Princesses of the World). Featuring Sasha, Evie, Mehmoona, Iram, Saliha, Zakia and Laura

So the last few month have been a bit bonkers, having been fortunate enough to get funding from Leeds Inspired and Grants for the Arts to create The Real Princesses of Yorkshire. Around six months of plotting, planning and snapping culminated in a two week exhibition at Arts at Trinity, Leeds. 

Exhibition inside Holy Trinity Church

I photographed 32 people for this project, poking fun at the limitations of the fairy-tale princess and celebrating real people. Because I know some amazing people, none of whom are waiting to be saved by Prince Charming.  And this project only captures a fraction of them! Sitting in the serene surrounds of the church there were periods where I didn't see anyone for an hour, even two, but over the course of eleven days, including a very lively launch party, there were 694 visitors to the exhibition. I'm chuffed with this! And the response has been brilliant:

"Love this exhibition. Wonderful to see 'normal' women of the community who are 'princesses' in their own right!" (Naomi)

"The diversity is just right, and I love the humour and expressions. As a woman in what's still a male-dominated profession this resonates with me." (Minister at the church)

"Insightful, funny and brilliant collection of works, well done!"

In keeping with the spirit of the project, the packed-out launch party, or rather Ball, was not your typical walking round with a glass of wine event. A group of 'princesses' made a grand, very bonkers, entrance to Sabotage by Beastie Boys, followed by drag-inspired lip-syncs, all of which went down a storm. You can see a snippet of this on episode 332 of The Lowdown

The following photos from the launch party were taken by Jon Eland:

My thanks to everyone who took part and came to see the exhibition, and enormous gratitude to Leeds Inspired, Grants for the Arts, Leeds Creative Timebank and Arts at Trinity. It's not over yet, the pictures will be appearing in other spaces - I'll keep you posted! 

Making a Show of Myself by Maria Spadafora

Get me, I just had an exhibition (my first!) in the gorgeous surrounds of Arts@Trinity. I've seen some brilliant dance and music there over the years, so felt really chuffed they accepted my proposal to show my work. And it was quite fascinating spending time there, as it still functions as a church alongside it's arts activities. It was eye opening to observe just how many people still use churches as a place of refuge, and I chatted to some really interesting folk.

I decided to focus on showing photographs of 'Creation' - creative people in Leeds, as the city is home and host to so many brilliant artists and venues. So a whole bunch of dancers, musicians, and visual artists found themselves hung on washing lines between the pillars and sat on easels beside the pews. In many ways it was a celebration of the diversity of arts in Leeds, featuring art forms and artists from all over the world, including Mali, Italy, India, Ireland, USA, France, and, of course, the amazing West Indian Carnival - one of our annual highlights. We had a fun celebration evening with performances by SAA-uk Dholis, Zakiya Hussain (Kathak dancer), and interactive shizzle with Yorkshire Life Aquatic and The (Reduced) Bet Lynch Mob. A massive thank you to them all, as they manage to fill me with pride, gratitude, inspiration and laughter, often all at the same time.

The photo slideshow below is by Lynette Willoughby:

And I can't leave this blog post hanging without thanking everyone who backed my Crowd Funder campaign. THANK YOU!

Pritpal Singh / Elias S Dwan / Frederica Agbah / Simon Lacy

Tim Neale  / Jimmy May / Gina Cattini  / Jo Butt  / Carol Harris   

Anna Zaluczkowska  / Cheryl Killey /  Rob Billson   

Chris Naylor-Ballesteros / Jenny Jet Harris / Bill Bartlett   

Susan Burns / Julia Shemilt / Lynette Willoughby / Emma Adams   

Angela Read  / Sarah Applewhite  / Jude Wright    

Alan Bullimore / Kathy Sadler / Nick Tonge / Michaela O’Sullivan    

Mark Matthews  / Myka Ransom  / Susan Everett / Fran Graham

 Jane Earnshaw  / Sav & Farhan Siddique / Jane Bullimore   

Zoe Parker / Emma Bearman / Maxine & Pat Bird / Donna Rhodes

Emma Rose

Delayed Gratification by Maria Spadafora

Slide

There's a special kind of pleasure to be derived from having a film processed. Not really knowing what results you'll get when you take the pictures, combined with forgetting what pictures you took, leads to a real sense of anticipation, surprise and 'oh, yeah!'  - especially when the film's been in the camera for several months. We lose this with the immediacy of digital photography. 

I recently had two films processed. I go to Dragons in Leeds, largely because the staff are so lovely. It's a good 25 years since I processed or printed my own film. The last time I attempted it I was massively out of practice and cocked it up big time, losing a whole roll of pictures taken at a Fatima Mansions gig (I'll never get over this!). One day I'd like to renew this skill, but in the meantime I'm happy I can still access this service.  A roll of Ilford XP2 had been in my little Robocam for about four months, and a roll of Agfa colour slide film had been in my old Praktica SLR for about six.

The results were mixed. I never really know what I'll get with the Robot camera. It's a toy, plastic, lomo camera with three lenses and no viewfinder, so the results are always surprising. It's best to use it with fast film in good light, because the lenses are quite cheap and nasty. The triple pictures can be very funky, especially if you get just the right amount of movement (there's a fraction of a second difference in the shutter release for each lens). Amusingly, I once processed a roll taken on this camera at an Asda store - every picture came back with a "faulty camera" sticker on it.

The SLR I used also produces mixed results. I bought it for a mere £29, and it hasn't got the best lens. I've found that sometimes I have to over-expose images a stop (older cameras often have their little idiosyncrasies). The scanned images are never quite as bright or sharp as the slides themselves, but you get the idea.

 

I suspect (hope) film, like vinyl, is making something of a comeback. I've seen a few young people knocking about with 35mm SLRs recently, which is a good thing, I reckon. They get to experience the joy of waiting...

Disderi Robocam