Carving a Living

Another one of those new year 'reflective' blogs. Soz... by Maria Spadafora

 Spark at Light Night Leeds

Spark at Light Night Leeds

So 2017 ended with me turning 48 and trimming my first moustache hair, which inevitably leads to an ‘I did that!’ reflective blog post…

In March the really wonderful Heart, in Headingley, hosted my exhibition ‘Creation’. My photographs of performers and other artists had previously been exhibited at Arts@Trinity in Leeds, so it was an honour to have another opportunity to share this work. I received such lovely comments!

“You capture a feeling with your camera. You capture my imagination with your eyes.
There’s vibrancy in your photos.”
Miriam

I was also privileged to be offered an artist residency with Wakefield Cathedral, and over a period of two months visited the Cathedral’s many spaces, spending time with the people who use them. From volunteers counting donations in the Dean’s Vestry, to toddlers enjoying music in the Education Room, I observed and photographed many of the different activities that take place in this stunning building. I enjoy reacting and documenting things as they happen, whether it’s how the evening light falls on the ancient steps to the bell tower, or the enthusiasm of the weekly tour. It’s a beautiful building, full of history and stories, but it’s the people who keep it alive and vibrant, so I was chuffed to be offered this opportunity and to exhibit the final photos there in July. The exhibition also featured in Wakefield’s ArtWalk.

The biggie for me in 2017 though was The Real Princesses of Yorkshire. I’d been sitting on the idea for this project for a couple of years, and finally plucked up the courage to apply for funding and - to my genuine shock - got it! Thanks to Leeds Inspired and the Arts Council’s Grants for the Arts, I was able to work with 32 people and various locations to create a series of portraits that poke gentle fun at the limitations of fairytale princesses whist celebrating people in all their diversity.  One person commented that it was the best thing they attended that year, adding “It was uniquely subversive whist being completely joyous and welcoming.” I've project managed all sorts of arts and community events over the years, so I know that getting 694 people through the door of an exhibition is a massive achievement, and I am really chuffed with how this project panned out. And I'm hugely grateful for the support I received, including great help and performances at the launch party. Some of these pictures will be making another appearance at Heart next year, alongside some shenanigans for International Women’s Day, so stay tuned!

My recurring theme for 2017 appears to be the splits?! And seeing my Carnival photos on banners dotted about Chapeltown and Harehills was a bit flipping cool. Plus, forgive me, but hilarious drag goddess Katya Zamolodchikova shared my photo on Instagram getting over 71,000 likes - so I’m claiming this as an achievement (it’s a sign of these shallow times!) 

But my photography, a passion I’m still exploring and developing, is a work in progress and does not pay the bills, though it has sat nicely alongside my day job creating and managing opportunities for young people and communities to access the arts. So here’s a self indulgent wish-list for 2018:

1. A new job – I’ve been working with communities and young people for about 20 years. I’ve seen access to arts and education get worse, not better. I don’t think I’ll ever stop fighting for this.

2. Hatch my other eggs – I have more projects, I must make them happen

3. Keep snapping and learning - works on various levels ;)

Finally, I want to say a massive thank you and send love to everyone who’s helped, advised, supported, participated or employed me this year. Photography can be very lonely work, so the collaborations and support I’ve had this year have been enormously valuable.

Ta, ducks, you’ve been real! x

Articulating Attribution by Maria Spadafora

My friends know that each time a newspaper, or whatever, publishes one of my photos without crediting me, I have a little rant. I may come across a bit diva, but it matters. The words are attributed to their author, so why not the images?

I’ve been reliably informed by someone who used to work in newspapers that the press have become so sloppy and complacent (unprofessional) that photographers are sending them big bills. I haven’t dared do this. Yet.  A few years ago an organisation I know created a flier using an image downloaded (stolen) from the internet. We’ve all probably done that – downloaded pictures then shared them on social media without acknowledgement, but in this instance the organisation in question were sent a bill for around £1000. The biggest gripe, legally, was that it was being used to promote a public event that people had to pay for, hence they were potentially profiting from what boils down to naïve theft. (They pleaded ignorance, argued their case as a small charity and got the bill reduced).

I’ve had people Tweet my Instagram photos pretending they took them. I’ve had the Yorkshire Evening Post Tweet my photo then credit it to someone else (and when I messaged them, they just removed it – no apology or reply). Sometimes it’s carelessness, like those who misspell my name (well, it is foreign, and who can be arsed double checking, right?) but mostly it boils down to a lack of regard and professionalism. Local publications and newspapers are the worst. You know those students who make a short film and think they’re an auteur, the credits reading as a repetition of their name? Bradford Review is like that. Ego-tastic authors, but no photography credits for other contributors.

My work as a photographer varies. I do paid work covering events and performances, and in one instance, where my pictures were used as part of a longer project, I’ve been paid a ‘future use’ fee as well as my session rate. That’s because they are a professional company in every sense of the word. But I also do a lot of things for free, and I do this happily. There’s the old adage ‘it’s good exposure’ but most of all, it’s because I know so many brilliant people, and I value the work they create. Being part of the team on something everyone feels proud of matters way more than money. Plus I learn so much from every project I do and really value the opportunities I'm given.

Most recently one of my images was used as the cover of a book published by Bloomsbury. A book! But it was only credited to the cover designer, and not me. So, something that was a big deal for me, something that I wasn’t paid my usual freelance fee for, that should have been really exciting, has felt like a kick in the teeth. And now goes in my ‘don’t bother showing the grandchildren one day’ pile.

That expression ‘credit where it’s due’ – it matters. It’s a sense of pride and achievement. It’s an acknowledgement of your time and your contribution. It’s something you scrapbook and look back on. It’s a thank-you.

And we all need to say thank-you more often. That person who helped you put a funding application together, and two years later you made the work? You need to acknowledge them. That person who made you cups of tea whilst you were sweating over your schedule? You need to acknowledge them.  That person who simply helped you string a brilliant blurb together because you had brain freeze? It may have only been a paragraph, but you still need to acknowledge them.

It’s only ‘good exposure’ if people know you did it. And a simple, genuine ‘thank-you’ goes such a long way.

Oh, and a Tweet (afterthought) doesn’t cut it.